Musical & Movement Focus





Kimberly Chan Headshot.jpeg

Kimberly is a triple threat performer who trained in Musical Theatre at LASALLE College of the Arts. Since graduating in 2014, she has appeared in over 25 professional productions, including choreography and directing work for local institutions and companies. Her theatre credits include: Coraline (The Players Theatre); The Nightingale (SRT); Great Wall - One Woman's Journey (Glowtape Productions); Detention Katong (Dream Academy); Monkey Goes West (W!ld Rice); Urinetown (Pangdemonium). 

Having trained extensively in Spanish Dance, Flamenco, Tap & Jazz, Kimberly frequently choreographs and teaches for various schools such as Rose Borromeo Spanish Dance Company, BUDS Theatre, Nanyang Academy of Fine Arts and LASALLE College of the Arts. She is often called upon to train and direct collaborative pieces that feature various performing arts groups in schools, with the addition of a Musical Theatre twist. She is currently a drama instructor at St. Anthony’s Secondary School and Marymount Convent School. She also choreographed Suessical, directed by Edith Podesta for the Musical Theatre BA Course at her alma mater. In 2021, Kimberly had her professional choreographical debut with Sing'Theatre's rerun of the sold-out, Forever Young. Most recently, she partook in Singapore's first ever Musical Theatre Choreography Lab, organised by 7/8 Collective. 

Kimberly has voiced events and corporate videos for companies such as Housing Development Board, Seagate, Land Transport Authority and Marina Bay Sands. She has also hosted at the SEA Aquarium in Resorts World Sentosa for their show, Noisy Ocean - Celebration of Sound. Kimberly also appeared in ads for FWD Insurance, Costa Coffee, Singtel Power and Revolut.

In 2018, Kimberly embarked on a solo project, writing and performing in a musical revue titled In Her Shoes, directed by Samantha Scott-Blackhall. She was also an Artist-in-Residence of Gateway Theatre (2018-2019), studying Classical Voice under the mentorship of Jonathan Charles Tay.

Amidst a Covid-ridden 2020, Kimberly founded, Fill the Vamp, a Singaporean musical theatre collective, focused on the exploration of the Musical Theatre genre and its power of storytelling through the expression of text and music. In March 2021, the collective produced Singapore's first ever free online game based on local musicals called, House Is Open. She also creatively directed the collective's most recent Musical Cover Series named, P.O.V. 



Selected Credits

Theatre Credits

Forever Young | Sister Sara | Sing'Theatre | Hossan Leong

Urinetown | Old Ma Josephine | Pangdemonium | Tracie Pang

In Her Shoes | Writer / Performer | Generasia | Samantha Scott-Blackhall

Three Billy Goats Gruff | Baby Goat | SRT | Stiles & Drewe

Hotpants | Daphne | The Producing Company | Dick Lee

Treasure Island | Ben Gunn/ Hands/ Dance Captain | SRT | Kate Gollege

High Class | Dr. Siobhan Loh |Simplyworks | Beatrice Chia

Current Teaching Positions

Tap Dance | Part-time Lecturer | LASALLE College of the Arts
Musical Theatre Dance | Part-time Instructor | Sing'theatre Academy 
Tap & Jazz Dance | Private Dance Teacher


Forever Young | Choreographer | Sing'Theatre | Hossan Leong

House is Open | Creative Director | Fill The Vamp

Suessical | Choreographer | LASALLE College of the Arts | Edith Podesta

Elephant & Piggie | Choreographer | The Players Theatre | Carina Hales

UOB Investment Outlook 2020 | Choreographer | Freeman Pte. Ltd.

Beauty World | Choreographer | NUS Yale | Heidi Lynn

Arts Fiesta: Sand Art | Director/ Choreographer | Deyi Secondary School

The Mystery of the Eclipse | Choreographer | HCIS | Ebi Shankara

Commercial Credits

C&V 2021 Campaigns | Dance Model | Cloud & Victory

Get More, Get Revolut  | Main Role | Rawspark Group

Singtel Power Ad | Supporting Role | ROLLA Productions 

MBS: LNY Projection Mapping  | VO Artist | Rawspark Group

HDB Corporate Video | VO Artist | Speakeasy Digital

Celebration of Sound | Host | Resort World Sentosa | Pete Murphy

Secret Show | Backup Singer | Benjamin Kheng

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